- SELECTED WORKS 2014 -
-
- PARTICLES
- BLOWERS / BLÆSER VED HAVET
- LUNCH / FROKOSTEN
- LIGHT OBJECTS / LAMPS
- MODERN ESCAPE
- OUTSIDE IS PRESENT
- KIND OF NOISY SILENCE
- AT THE FENCE
- CAMP KITCHEN
- CIRCLE IN ROTATION
- STAGGERED SHAPES
- DISPLACED ELEMENTS
- GRAPHIC PRINTS
- RANDOM COMPOSITION
- BUSY CIRCLE
- DEFENSE AGAINS THE UNPREDICTABLE
- DRIFTING
- REALTIME
- SELECTED WORKS 2002 - 2014
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- POSITION OF THE SPECTATOR III / ADONIS STAIRCASE
- THE MISSING DARKNESS/ 2011
- AWARENESS OF A TEMPERATURE/ 2010
- GETTING IN SYNC WITH NATURE/ 2009
- SNOWMEN AND LADIES/ 2010
- VIDEOS, SOUP, BLANKETS AND PIXIE CAPS/ 2010
- THE HEATER/ 2010
- POSITION OF THE SPECTATOR/ 2008
- KEEPING IT SIMPLE/ 2008
- CAMARADERIES/ 2007
- A MATTER OF STRATEGY / 2007
- OFF/ 2006
- CONSTRUCTION OF DELAY/ 2005
- REPLAY/ 2004
- BLIND WALK/ 2004
- INSTALLATIONS IN URBAN SPACES/ 2004-2009
- TERRITORIAL STATEMENTS/ 2002
- I AM SO FUCKING HAPPY/ 2002- ONGOING
- POSITION OF THE SPECTATOR III / ADONIS STAIRCASE
- SELECTED WORKS 1994 - 2002
- PUBLIC DECORATIONS
- PHOTOS AND PRINT
Realtime 2016.
Wood, rubber/ container, ball, TV screen, control technology.
In Realtime, the viewer initiates course of action with a physical action by putting a ball in a construction of pipes. The ball runs through the tubes and down through a TV, where it is seen as part of a video sequence. The ball falls straight down, also through a pipe - but in the fiction it is slowed.
Reality and fiction are synchronized. The ball in the tube is present, but as we see it fall into the video sequence, it is a representation of a reality. The ball thus jumps between different planes of reality and authenticity.