- SELECTED WORKS 2014 -
-
- PARTICLES
- BLOWERS / BLÆSER VED HAVET
- LUNCH / FROKOSTEN
- LIGHT OBJECTS / LAMPS
- MODERN ESCAPE
- OUTSIDE IS PRESENT
- KIND OF NOISY SILENCE
- AT THE FENCE
- CAMP KITCHEN
- CIRCLE IN ROTATION
- STAGGERED SHAPES
- DISPLACED ELEMENTS
- GRAPHIC PRINTS
- RANDOM COMPOSITION
- BUSY CIRCLE
- DEFENSE AGAINS THE UNPREDICTABLE
- DRIFTING
- REALTIME
- SELECTED WORKS 2002 - 2014
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- POSITION OF THE SPECTATOR III / ADONIS STAIRCASE
- THE MISSING DARKNESS/ 2011
- AWARENESS OF A TEMPERATURE/ 2010
- GETTING IN SYNC WITH NATURE/ 2009
- SNOWMEN AND LADIES/ 2010
- VIDEOS, SOUP, BLANKETS AND PIXIE CAPS/ 2010
- THE HEATER/ 2010
- POSITION OF THE SPECTATOR/ 2008
- KEEPING IT SIMPLE/ 2008
- CAMARADERIES/ 2007
- A MATTER OF STRATEGY / 2007
- OFF/ 2006
- CONSTRUCTION OF DELAY/ 2005
- REPLAY/ 2004
- BLIND WALK/ 2004
- INSTALLATIONS IN URBAN SPACES/ 2004-2009
- TERRITORIAL STATEMENTS/ 2002
- I AM SO FUCKING HAPPY/ 2002- ONGOING
- POSITION OF THE SPECTATOR III / ADONIS STAIRCASE
- SELECTED WORKS 1994 - 2002
- PUBLIC DECORATIONS
- PHOTOS AND PRINT
Busy Circle at the exhibition YOU ARE RIGHT HERE RIGHT NOW curated by Mikkel Karl Rønnebæksholm 2020.
Busy Circle
Duration 3:20 min looping
Busy Circle. REVISIT. Overgaden, Institute of Contemporary Art. Copenhagen 2018.
Photo: Anders Sune Berg
Busy Circle is a 1x1 meter video work. It appears on an LED display and appears coarse-grained and digital. The blue circle spins around and around - but disappears and the screen goes black for 20 sec around every 3 minutes.
Busy Circle unfolds for many people a human recognizable situation from the digital world. The symbol shows up where the computer is stopping the processes and want us to wait. The symbol shows up when we are not any longer in control and when the computer lives its own life.
The LED screen has a very pixilated picture and is normally used in public space. By moving the Busy Circle from the computer screen to the LED technology, you also move the individual experience you deal with to a public scene and as a public matter. Both context, size and pixel density are transformed.
