- SELECTED WORKS 2014 -
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- PARTICLES
- BLOWERS / BLÆSER VED HAVET
- LUNCH / FROKOSTEN
- LIGHT OBJECTS / LAMPS
- MODERN ESCAPE
- OUTSIDE IS PRESENT
- KIND OF NOISY SILENCE
- AT THE FENCE
- CAMP KITCHEN
- CIRCLE IN ROTATION
- STAGGERED SHAPES
- DISPLACED ELEMENTS
- GRAPHIC PRINTS
- RANDOM COMPOSITION
- BUSY CIRCLE
- DEFENSE AGAINS THE UNPREDICTABLE
- DRIFTING
- REALTIME
- SELECTED WORKS 2002 - 2014
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- POSITION OF THE SPECTATOR III / ADONIS STAIRCASE
- THE MISSING DARKNESS/ 2011
- AWARENESS OF A TEMPERATURE/ 2010
- GETTING IN SYNC WITH NATURE/ 2009
- SNOWMEN AND LADIES/ 2010
- VIDEOS, SOUP, BLANKETS AND PIXIE CAPS/ 2010
- THE HEATER/ 2010
- POSITION OF THE SPECTATOR/ 2008
- KEEPING IT SIMPLE/ 2008
- CAMARADERIES/ 2007
- A MATTER OF STRATEGY / 2007
- OFF/ 2006
- CONSTRUCTION OF DELAY/ 2005
- REPLAY/ 2004
- BLIND WALK/ 2004
- INSTALLATIONS IN URBAN SPACES/ 2004-2009
- TERRITORIAL STATEMENTS/ 2002
- I AM SO FUCKING HAPPY/ 2002- ONGOING
- POSITION OF THE SPECTATOR III / ADONIS STAIRCASE
- SELECTED WORKS 1994 - 2002
- PUBLIC DECORATIONS
- PHOTOS AND PRINT
Construction of Delay
bw. 2004.
Construction of Delay shows two hands moving. The video visualize the tactile part of the contact, which is emphasized by the trace of the movementcause by the exposure.
The expectations of the spectators are activated by recognition and bodily identification, and a filmic suspense is build up. The trace from the hands draws an imaginary almost sculptural shape. The gestures of solicitude are constructed.