- SELECTED WORKS 2014 -
-
- PARTICLES
- BLOWERS / BLÆSER VED HAVET
- LUNCH / FROKOSTEN
- LIGHT OBJECTS / LAMPS
- MODERN ESCAPE
- OUTSIDE IS PRESENT
- KIND OF NOISY SILENCE
- AT THE FENCE
- CAMP KITCHEN
- CIRCLE IN ROTATION
- STAGGERED SHAPES
- DISPLACED ELEMENTS
- GRAPHIC PRINTS
- RANDOM COMPOSITION
- BUSY CIRCLE
- DEFENSE AGAINS THE UNPREDICTABLE
- DRIFTING
- REALTIME
- SELECTED WORKS 2002 - 2014
-
- POSITION OF THE SPECTATOR III / ADONIS STAIRCASE
- THE MISSING DARKNESS/ 2011
- AWARENESS OF A TEMPERATURE/ 2010
- GETTING IN SYNC WITH NATURE/ 2009
- SNOWMEN AND LADIES/ 2010
- VIDEOS, SOUP, BLANKETS AND PIXIE CAPS/ 2010
- THE HEATER/ 2010
- POSITION OF THE SPECTATOR/ 2008
- KEEPING IT SIMPLE/ 2008
- CAMARADERIES/ 2007
- A MATTER OF STRATEGY / 2007
- OFF/ 2006
- CONSTRUCTION OF DELAY/ 2005
- REPLAY/ 2004
- BLIND WALK/ 2004
- INSTALLATIONS IN URBAN SPACES/ 2004-2009
- TERRITORIAL STATEMENTS/ 2002
- I AM SO FUCKING HAPPY/ 2002- ONGOING
- POSITION OF THE SPECTATOR III / ADONIS STAIRCASE
- SELECTED WORKS 1994 - 2002
- PUBLIC DECORATIONS
- PHOTOS AND PRINT
Still
Still
Installation view Ormston House, Ireland photo Jedniezgoda
Ormston House proudly presents Particles, the first exhibition by internationally renowned Danish video artists Hanne Nielsen and Birgit Johnsen in Ireland. For more than three decades, Hanne Nielsen and Birgit Johnsen have focused on the powerful influence of media images in society. The artists say: “We want to create a frame for reflection on current global, critical conditions as well as the ethical, existential choices confronting us today. We often perform ourselves in our works; we believe that the performative connects the personal with the political.”
In their new two-channel video installation, the artists perform as bird-like figures beamed down from somewhere in the universe. Together, they travel through Tarkovsky-inspired scenes—an abandoned fun park, a ravaged industrial site, overgrown castle ruins, a rocky landscape, burning fields. They are female clones of the plague doctor and the future scientist, equipped with all kinds of measuring tools. Drones are deployed to provide the vertical perspective they need to travel through time and space, and to unfold a machine-vision, flying in abrupt movements, watching, searching, monitoring, and disappearing into the sky.
Crosscut with TV and internet footage, the installation presents a range of different “reflection rooms” where clips of historical and recent events are intertwined with personal and mythical interpretations through the plague doctor’s crystal ball. While particles in the form of dirt, smoke, or fog may refer to climate change, pollution, poverty, war, or even a lack of transparency in antidemocratic processes, particles in the sense of aeolian dust are also the precondition for existence. The doctor and the scientist mediate seemingly chaotic conditions and continue their journey seeking signs of life and measuring the state of our planet.
Turning Tubes. Photo Jedniezgoda
Turning Tubes. Photo Jedniezgoda